Shlee Vincent

So, I’ve been working on a story that involves a myth I’ve heard about photography and souls.

The myth states that a photograph takes a part of a person’s soul.

I’ve always found this idea a little intriguing. Today, I was doing a little research on the myth to find out about its origins, and apparently it comes from many cultures (Aboriginal, Mayan and Native American to name a few) and its root is in mirrors.

In these cultures mirrors were thought to reflect the soul – for Mayans, mirrors were seen as a portal between this world and the next. Cameras got involved because of the mirrors used inside of them. Once a photograph was taken, it held a part of the soul that could never be returned. Any carelessness to the photo would be viewed as damaging to that part of the person’s soul.

This is the reason why some Native Americans refuse to have their picture taken and why in some churches photography is banned.

James W. Bailey, an artist with Native American roots, understands this belief. He created an exhibit called Stealing Dead Souls and questions the idea’s impact on non-living and inanimate objects, as well as commenting on the “death” of film. His now-defunct blog of the same name shows images, describes methods and begs questions which the project is trying to answer. He asks:

If taking a photograph of the living can steal souls, what happens if you photograph something dead or inanimate? Do the dead or non-living have souls? If so, can the souls of the dead be stolen by photographing them?

I’m feeling a little more enlightened and certainly more prepared to go forward with my story.

As read on May 30, 2009 Harvey Nathaniel Vincent’s Memorial Service:

On Portraits Of People

He turned away, slowly

and she didn’t notice.

Although it was painful, it was expected;

but to her it felt like it happened in an instant.

It wasn’t the first.

When she was born, she thought she had forever.

That everyone she would ever need was right there

in her circle.

Always there,

no matter how far away.

Despite the expanded web around her,

she didn’t feel quite the same.

As one circle drew closer, it felt emptier

because he had always been there.

The old man was one of the few she’d always known to be constant.

He didn’t mean to,

but he had to.

It was time

and something she needed to grow.

He writhed in pain and as his body became iron-cast, he made himself look away.

No one noticed that he continued to peek through the eyes in the back of his head.

At least he isn’t suffering

but couldn’t he have waited one more day?

She felt dizzy.

He (her father, his son) wished he could have said good bye.

She (her grandmother and his wife) had been preparing for a long time.

She was most ready, but it was hard on her, too.

Rest now, merry gentleman.

You’ll  now have no nightmares in your sleep

but, also, no lady to kiss your cheek,

to wipe your tears and

calm your shrieks.

She’s waiting for the day that she’ll see you again

so the neighbors upstairs can gawk and

stare just like they did the first time.

They had been involved in this romantic affair

that would have been deemed at the time

A Scandal

so important to a family

but because of frivolous youth,

it’s as if no one needs to hear.

But the affair ended many years later

in death,

after a wedding

and two children plus two grandchildren.

As one web expanded, another collapsed.

When a piece from the center wiggles free,

everything gets thrown.

It’s all off balance.

The huddle waxes and wanes

and the wounded and disoriented soldiers recuperate

and recoil, knowing deep down that everything was right.

The young girl – though she had already grown –

felt no  other urge than to crawl on hands and knees.

She felt comfort in distraction

his family couldn’t be there for him.

Her father was a child once

and the old war  veteran took him to the beach.

The little boy danced as the sand scalded his feet.

Her father chuckled behind him and when the umbrella was up

and their bodies were cooled and covered in sticky sand,

together they scraped the sand into buckets,

collected seashells and other beachy adornments

just to build a palace in which they could never live.

He sat on the inside as they built the castle around him

so that he could be king.

When the sun went down, father carried son home

and the castle stood until the tide came in.

Logically,

life is the blink of an eye, the snap of a shutter.

As quickly as the houses show and disappear from the windows of trains, moments seem to linger

and eventually manage to fade.

The memories kept the family laughing

and the stories kept the old man alive..

The young girl did grow into an old woman

and with her brush, she painted a colorful portrait

that they hung on the wall

and years after she died would put in the attic

like all the rest

for they never knew the figure.

After all, it was just taking up space.

R.I.P. Opop. We love you.

January 12, 2009.